Watched August: Osage County the other night. So. Get prepared, dear worst-reader. This is gonna be a tumbler. Well. Maybe not.
Follow-up to this post here.
First. Julia Roberts can’t say the word fuck. She just can’t. I swear, in this film she tries, she really tries. But every time those innocent broad lips open up all one can see, because astonishment clouds sound, is her promoting that well-branded laugh that somehow spews effortlessly through a mouth that seems to have no end to its width and a limitless shine to those teeth. This woman, like the burden of the smile of a Dolphin, will forever be associated with the burden of one thing and one thing only. That laugh she barks in her bourgeoisie portrayal of how much fun it is to be a whore… Well. Nuff said.
Oh yeah, the smile. Roberts goes for cursing all the same but this time instead of taking the sure way she just spews the word fuck–through the same mouth so many people adore. And when she calls her dying mother–with nothing less than that same mouth: “you fucking bitch”, I couldn’t help but imagine a beautiful little girl finishing kindergarten and given an opportunity to speak at her graduation where she says the same thing to her lost and lonely teacher. You fucking bitch. Indeed, dear worst-reader. There’s seriously something wrong with that picture and with Julie Roberts struggling to say the word fuck. But more. There’s something wrong with the lack of astonishment from the Julia Roberts adoring world. Because. Hey. She’s Julia Roberts.
Second. The best thing about this movie is Juliett Lewis’ portrayal of a husband hunting bimbo. She really nailed it and I never thought she could do that again because she already did it so well in the movie Kalifornia across from Brad Pitt. Hats off to her!
And as far as… what’s her name goes… what’s her name? Oh yeah, Meryl Streep. As far as Streep goes, I saw cracks in her sunglasses and I think, if I were to re-rent this film on iTunes, I might be able to even prove exactly where those cracks are–because if you look closely when she fakes her smoking, the smoke comes through the cracks of her glasses. Seriously. Oh wait. iTunes doesn’t allow you to do anything with rented movies except watch them within 24hrs of starting them… Wait. Does Meryl Streep know this?
But enough about worst-writer’s attempt at criticizing a film. That sort of thing is better left to others more privileged. Still. I can’t wait to download the play and give it a read. Tracy Letts has obviously nailed it with his play. Transferring it to film went pretty well, too. Since the movie starts with Sam Shepard, a writer I (used to) read religiously–especially his plays–I couldn’t help but compare this play-to-film transfer to Shepard’s own Fool For Love, which was transferred way back in 1985. Short pause…
Warning: slight spoiler alert.
Of course the moment in Osage County when my thoughts of Shepard were sealed was when I realized that there was an incestuous affair about to be revealed. The same thing, of course, is in Shepard’s play Fool For Love. So. Tracy Letts was influenced by Shepard. Or? Goodness. I hope so.
Either way this was a beautiful film that I thoroughly enjoyed watching from start to end. Brilliant writing, acting and cinematography. I also thought it was a bit strange to categorize this film as a comedy. Seriously. A comedy? There are a few funny moments, especially the brawl between Streep and Roberts, where, after the film, I got to thinking that it wasn’t funny at all. If I could question Letts about his play it would be why he chose to put obvious male mind-set characters into female bodies. But that doesn’t really matter. He’s got a female name and so does his dead dramatic patriarch. All hands clap for men named Beverly.