Look Where

Source of pic: screenshot with some extra safety

Can you believe it, dear worst-reader. My better half finally singed up for one of those streaming services. I mean. We’ve actually tried it before but gave up on it pretty quick. That was back in 2015. Something about there just not being much available that was worth couch time. Since we’ve been able to stream via a certain online distribution website, as movies and shows are included with its yearly subscription, we’ve kinda settled for that. Till now. I guess. The reality is, my better-half watches this stuff more than I do and for the past year she’s been complaining about not having anything new to watch. Oh well.

We decided long ago that we would avoid subscription services in our media consumption. Instead we relied on AppleTV and would pay for whatever it is we watch. But then AppleTV+ hit and I had just purchased a new MacBook, which meant that I got the service for free for a year. I have to admit, I kinda liked it–even though I didn’t renew it after a year when it costs money. Even though some of Apple’s shows were a bit–how should I worst-put this–almost amateurish, more recent productions have definitely moved things to a higher level. So when my better-half wanted to sign up, I tried to push for Apple. As usual, I lost that argument, which I might be kinda sad about. Boo-who. But. I am using Apple Music right now after they offered me a six month free trial. Why does it hurt me to admit that I like it? Since I have to start paying for it next month, we’ll see how long I really like it. Moving on.

Pseudo-Review: Don’t Look Up

My better-half is pleased so far. She binge-watched a tv series the other weekend and enjoyed it. We watch our first movie together the other night and I’m not disappointed. The movie: Don’t Look Up. And that brings worst-moi to a few worst-words about it.

First. Great movie. Great acting. Ok directing. Sufficient drama–or in this case comedy. Like I’ve worst-said here and here about comedy, especially political and social satire, what now? Also. Who is this movie for? I mean, is there an intended audience? If you haven’t seen it, here’s worst-writer’s summary. And be warned. Spoiler alert!

The planet is about to be struck by a humungous asteroid or comet. A planet killing comet. Two scientists who discovered the comet are summoned into a/the world of politics and media in order to advise the president of my beloved & missed united mistakes of #Americant about how to deal with this comet. The president is a woman and her chief of staff is her son and as the story progresses these politicians unabashedly become the spitting image of former prez pee-pee-hair, his family, and all the corruption and ineptitude and greed-mongering that went along with it. But this movie is a comedy. Or. Put another way. This movie is a satire. With that in mind, let’s take a short break and look it up, shall we.

Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. -Source: Wiki

Now. This film is probably the busiest left-wing, environmental film I’ve ever seen where it does its best to shun a genre by just showing reality in a hi-larry-us way. I mean. Obviously. The writer’s intention with this movie is to provide one of the clearest mirrors ever that would/could/should enable so many people, like the seventy-four or so million who voted for former prez Cheeto-Jezus, to take a good look at reality. The thing about mirrors, though, is you can’t make people look into it–unless it’s about vanity. Am I wrong. The other problem is, even if you get someone to look into a mirror absent vanity, you can never really know if they know what they are seeing. A manipulated mind do play tricks, eh. Which brings me back to my question: who is this movie for? Is it a way to busy creative types? Is it a movie to motivate those who already know that the planet killing comet is a metaphor for climate change–and we’re doomed #nomatter what? Or did the producers of this movie get a freebie where they were able to show Meryl Streep’s gorgeous Arschgeweih (tramp stamp). Who knows, eh, dear worst-reader.

Very fun movie nevertheless.

Rant on.